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Grow your Talent

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Grow your Talent

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Grow your Talent

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The best way to succeed is to mimic those who have gone before you. In this space we will share insights into growing and developing talent, your own talent and that of others. How can you become better? How can you use your mentor to grow your talent? How can you be an example for others to follow?

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Talent vs Effort
THE conventional wisdom about “natural” talent was a myth, said Geoff Colvin in Fortune Magazine last year. “The real path to great performance is a matter of choice.”

Colvin went on to say that some researchers now argued that talent means nothing like what we think it means — “if indeed it means anything at all”. “In studies of accomplished individuals, researchers have found few signs of precocious achievement before the individuals started intensive training. Similar findings have turned up in studies of musicians, tennis players, artists, swimmers, mathematicians, and others. Such findings do not prove that talent doesn’t exist. But they do suggest an intriguing possibility: that if it does, it may be irrelevant.
“The concept of specific talents is especially troublesome in business,” says Colvin. “We all tend to assume that business giants must possess some special gift, but the evidence turns out to be extremely elusive. In fact, the overwhelming impression that comes from examining the lives of business greats is just the opposite — that they didn’t seem to give any early indication of what they would become.”
Jack Welch, named by Fortune as the manager of the 20th century, “showed no particular inclination toward business, even into his mid-20s.” Bill Gates, one of the world’s richest people, although fascinated by computers as a kid, “possessed nothing to suggest extraordinary abilities”.
David Lyman, in his essay The Eight Keys to Success, What it Takes to Reach Your True Potential, says talent is the last thing you need. “You have to have some of it, but you do not need a lot. “Too much talent is often a handicap. Things come too easily, and there is little incentive to push, to make use of the talent. I know highly talented musicians who refuse to perform in public, photographers who are so arrogant no one wants them around and others who are so impatient at getting what they want, they never master anything.”
So what is the vital ingredient for success? According to Lyman, it is passion. “That demonic compulsiveness that fires any creative person, something that gets you angry, or something you love and want to share.” Next comes willingness to take a risk. “I do not know anyone who has succeeded who has not been able to take a risk,” says Lyman. Then you need high self-esteem and persistence.
Calvin Coolidge thought persistence was far more important, however, and wrote: “Nothing in this world can take the place of persistence. Talent will not. Nothing is more common than unsuccessful people with talent. Genius will not. Unrewarded genius is almost a proverb. Education will not. The world is full of educated derelicts. Persistence and determination alone are omnipotent.
“The slogan ‘press on’ has solved, and always will solve, the problems of the human race.”
That being the case, we’d be making a terrible mistake if we gave up on an ambition simply because we thought we lacked the talent for it.” (BusinessDay)

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  • ” There seem to be two different types of talent that matter in the world of professional photography; artistic talent and technical talent.”
    and
    ”All they have to do is learn about the business of photography, have a decent personality, and master the technical end of photography……..These are the people that make it big and end up being the ones all the rest of us slobs look up to.”

    This is an interesting article that talks about what it takes to make it big as a photographer. I am sure much of what this writer has to say applies equally to any of our art forms.
    For more see:
    http://www.professionalphotography101.com/Photography_Career/artistic_talent.html

  • Can anyone suggest how we can intorduce some of Pixars principles for growing talent in our small learning community?
    PIXAR IS GROWING TALENT
    Behind Pixar’s string of hit movies, says the studio’s president, is a peer driven process for solving problems
    Pixars operating principles are:
    1. Everyone must have the freedom to communicate
    2. It must be safe for everyone to offer ideas
    3. We must stay close to innovations happening in the academic community
    Please contribute by making suggestions

  • ”I have no particular talent. I am merely inquisitive” Albert Einstein

  • ”I’m not very creative, I have no talent”
    .If you had a dime for each time I heard a student tell me this before I got their agreement to enroll for drawing or painting lessons you would be quite wealthy.

    Perhaps you too believe you lack the ”artistic gene” or ”special gift” called talent. Let’s get real about this thing called talent, shall we?

    Talent implies a degree of skill or ability. Ability in any field can be acquired. Were you born with all the talent and skill required of you to perform in your current career?

    Of course not, you acquired the skills you needed in order to perform. Would you be able to acquire the skill to play any music instrument you wanted too, or would you need to be born with this skill?

    Like anything else, you can learn to draw and paint beautifully. The only requirements then is a desire to procure the technical skills and a teacher to provide you with workable instruction.

    Moreover, people often confuse talent with creativity. Each is extremely important, it takes both combined to create art, but they are not one in the same.

    Read more at
    http://www.articlesbase.com/art-and-entertainment-articles/natrual-artistic-talent-myth-plagues-fine-art-world-401169.html